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Tina Marais

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Open a larger version of the following image in a popup: Tina Marais, L'écoulement, 2018
Open a larger version of the following image in a popup: Tina Marais, L'écoulement, 2018
Open a larger version of the following image in a popup: Tina Marais, L'écoulement, 2018

Tina Marais

L'écoulement, 2018
Velours, coton, cuir, rubans de VHS / Velvet, cotton, leather, VHS ribbon
70 x 35 x 3 in
177.8 x 88.9 x 7.6 cm
Non encadré / Unframed
Location: catégorie E / Rental: category E
$ 3,900.00
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Further images

  • (View a larger image of thumbnail 1 ) Tina Marais, Undone, 2017
  • (View a larger image of thumbnail 2 ) Tina Marais, Undone, 2017
  • (View a larger image of thumbnail 3 ) Tina Marais, Undone, 2017
View on a Wall
Cette œuvre contient des insertions en tricot créées avec des bandes VHS ainsi que plusieurs surfaces usant de techniques de tricot à la main sur un support en coton. Les...
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Cette œuvre contient des insertions en tricot créées avec des bandes VHS ainsi que plusieurs surfaces usant de techniques de tricot à la main sur un support en coton. Les frontières disparaissent par l’expérience de multiples populations déplacées à travers le monde. Cette œuvre explore un aspect des changements menant à de tels déplacements: l’impact humain sur les changements climatiques. Elle réfère spécifiquement aux déplacements de vestiges matériels, de déchets de civilisation. Ils sont transportés par les forces de la nature, traversent les frontières, s’accumulent et modifient l’environnement. L’artiste suggère que l’oblitération des frontières et l’action solidaire et globale sont les seules manières d’éviter les conséquences de l’insouciance humaine.

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This artwork contains dimensional knitted inserts created with VHS tape, It includes various hand stitched surface texture tecniques on a cotton backing. Borders disappear in the face of changes currently experienced by people in different parts of the world. This piece by Tina Struthers explores one aspect of these changes: human impact on the climate. This especially refers to the phenomenon of the movement of remains, waste of civilizations. They are transported by forces of nature, cross borders, accumulate and change the environment. The artist suggests that obliterating borders, that taking joint global action is the only way of averting the consequences of humanity's carelessness.
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