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Tina Marais

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Open a larger version of the following image in a popup: Tina Marais, Tegmentum III, 2020
Open a larger version of the following image in a popup: Tina Marais, Tegmentum III, 2020
Open a larger version of the following image in a popup: Tina Marais, Tegmentum III, 2020

Tina Marais

Tegmentum III, 2020
Laine, lycra, boutons, bouchons de bouteilles / Wool, lycra, buttons, bottle caps
35 x 8 x 8 in
88.9 x 20.3 x 20.3 cm
Non encadré / Unframed
Location: catégorie D / Rental: category D
$ 1,265.00
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Plus d'images

  • (View a larger image of thumbnail 1 ) Tina Marais, Undone, 2017
  • (View a larger image of thumbnail 2 ) Tina Marais, Undone, 2017
  • (View a larger image of thumbnail 3 ) Tina Marais, Undone, 2017
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Dans cette œuvre, Tina Marais remet en cause l’instinct qui nous pousse à prospecter diverses ressources, à nous les disputer et à nous en doter. Éléments fondamentaux de ce processus,...
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Dans cette œuvre, Tina Marais remet en cause l’instinct qui nous pousse à prospecter diverses ressources, à nous les disputer et à nous en doter. Éléments fondamentaux de ce processus, le toucher et l’interaction produisent une réaction viscérale, primitive, à toute étoffe. Du reste, le potentiel de transformation et la nature même des tissus m’attirent. Subséquemment, ce curieux mode de sélection d’assemblages moléculaires vient s’inscrire dans mon environnement personnel.


NOTE – Cette œuvre a fait partie des expositions solos suivantes : Codex I, à l’organisme Art souterrain (Montréal, 2021); Codex II, à la galerie Mary E. Black (Halifax, 2021); et Codex III, à la galerie du Conseil des arts de Terre-Neuve-et-Labrador (St. John’s, 2022).


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In this work Tina Marais is questioning the instinct to gather, to hunt and source for materials, touch and interaction being fundamental to this process. It is a visceral, primitive response to matter. It is the transformative potential, or nature of matter, that attracts her. It is a curious process of the selection of what molecular assemblages are subsequently connected to her personal environment.


Note: Exhibited in Art Souterain, Montreal, 2021, in Codex II, Mary E black gallery, Halifax NS, 2021, and Codex III, At the Craft council gallery of Newfoundland and Labrador, in saint Johns, 2022


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Expositions

This soft and hard sculpture, was created during my MFA and made part of the exhibition of Art Souterrain 2021. They are included in Codex III in saint Johns Newfoundland and will be available after May 2022
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